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Solo Shows
2004 Man about town [in conjunction with Gunther Christmann]
Niagara Galleries, Melbourne
2003 Man about town (in conjunction with Anne Ferran) Stills Gallery,
Gosbell Street, Paddington
2002 terra/terror australis (in conjunction with Suellen Symons)
Stills Gallery, Dank Street Waterloo, satellite exhibition for
Biennale of Sydney
2001 In My Father’s House fundraiser for Joseph and Lindsay
Croft Scholarship, Stills Gallery, Sydney
2000 fever (you give me) (in conjunction with Peter Charuk) Stills
Gallery, Sydney
1999/
In My Mother’s Garden (in conjunction with Charles Green
and Lyndal Brown, and Carol Rudyard) John Curtin Gallery, Curtin
University of Technology, Perth
In My Father’s House (in conjunction with Destiny Deacon)Visions
Australia
national tour
1998 In My Mother’s Garden (in conjunction with Michael Riley) Gallery
Gabrielle Pizzi, Melbourne
In my Father’s House (in conjunction with Destiny Deacon) Australian Centre
for Photography, Sydney
1994 Strange Fruit The Performance Space Sydney
1993 The Big Deal is Black Australian Centre for Photography Sydney
Selected Group Shows
2004 In Focus: 5 contemporary
women photo-artists Campbelltown
City Bicentennial Art Gallery, in association with Stills Gallery,
Sydney
Images: Contemporary Photos by Aboriginal Artists Aboriginal Art Museum, Utrecht,
The Netherlands
Witness: Darren Almond, Brenda L. Croft, Zhang Huan, Whitfield Lovell, Walid
Ra’ad/The Atlas Group, Fiona Tan Museum of Contemporary Art, Sydney
2003-4 Photographica Australis Asialink tour
2003 20th Telstra National Aboriginal & Torres Strait Islander Art AwardMuseum and Art Gallery of the Northern Territory, Darwin
Australiens Perth Institute of Contemporary Art, Perth
COFA: An Indigenous presence Ivan Dougherty Gallery, COFA, UNSW Paddington
2002 Photographica Australis ARCO Spanish International Contemporary Art Fair,
Madrid
High Tide NAIDOC Week Linden Arts Centre, St Kilda, Melbourne
2002 - 3 Imagining identity and place Grafton Regional Gallery, NSW/Qld touring
exhibition
2002 19th Telstra National Aboriginal & Torres Strait Islander Art AwardMuseum and Art Gallery of the Northern Territory, Darwin
18th Telstra National Aboriginal & Torres Strait Islander Art Award national
tour
Exposed! Message sticks: a celebration of contemporary Indigenous arts Sydney
Opera House, Circular Quay
2001 hybrid<life>forms: Australian New Media Art Netherlands Media Art
Institute, Amsterdam
Imagining identity and place Grafton Regional Gallery
Pinhole to Pixel: Stills Gallery at the Sir Hermann Black Gallery, University
of Sydney
18TH Telstra National Aboriginal & Torres Strait Islander Art Award Museum
and Art Gallery of the Northern Territory, Darwin
2000 Das Lied Von Der Erde (The Song of the Earth) Museum Fridericianum, Kassel,
Germany
1999 _PROBE_ explorations into Australian computational
space: an exhibition
of Australian new media arts, Australian Embassy, Beijing, China
Y2K6 Six Systems for Protecting Your Future (Living here now: art and politics:
Australian Perspecta 1999) Casula Powerhouse Regional Arts Centre, Sydney
Experimenta Media Arts Time Capsule ...the future is the present Span Galleries,
Melbourne (with Brook Andrew, Bureau of Inverse Technology, KIT, Chris Knowles,
Virginia Hilyard & Varsha Nair, Joyce Hinterding and reTarded eye)
Beyond Myth/ Oltre il Mito (in conjunction with Destiny Deacon, Brook Andrew,
Michael Riley and Leah King Smith) Gallery Gabrielle Pizzi, a latere section
of the 48th Venice Biennale
1999-2000 16th Telstra National Aboriginal & Torres Strait Islander Art AwardMuseum and Art Gallery of the Northern Territory, Darwin, and national tour
Signs of Life: Melbourne International Biennial Melbourne
1998 - 2000 Retake: Contemporary Aboriginal and Torres Strait
Islander Photography,
National Gallery of Australia and national tour
1998 15th Telstra National Aboriginal and Torres Strait
Islander Art Award Museum
and Art Gallery of the Northern Territory, Darwin & national tour
National Digital Art Award Institute of Modern Art, Brisbane
Fremantle Print Award Fremantle Arts Centre, WA
1997 First Person Plural: Contemporary Australian Aboriginal
Art Betty Rymer
Gallery, The School of the Art Institute of Chicago, USA
1997-6 Abstracts: New Aboriginalities Watershed Bristol, and regional tour, Britain
Native Titled Now Tandanya National Aboriginal Cultural Institute Adelaide & national
tour
Guwanyi: Stories of the Redfern Aboriginal Community Museum of Sydney
1996 Sixteen Songs: Issues of Personal Assessment and Indigenous
Renewal. Hachivi
Edgar Heap of Birds and artists of Tandanya and Boomalli Saint Louis Art Museum,
USA
Perpetual Motion organised by Tandanya National Aboriginal Cultural Centre, national
tour
Big New Sites The Performance Space. At selected national cinemas in
conjunction
with Pearl & Dean Advertising
Quay Works Sydney Opera House Concourse, Sydney Festival
1995-6 True Colours: Aboriginal & Torres Strait Islander Artists Raise the
Flag Boomalli & The Performance Space, Sydney, national tour
1995 Mistaken Identities: AFRICUS Johannesburg Biennale South
Africa
Re:actions Annual members exhibition, Boomalli Aboriginal Artists Co-operative,
Sydney
Haus Der Kulturen Der Welt Berlin Germany
1994 Sydney Photographed Museum of Contemporary Art Sydney
Urban Artyfacts Annual members exhibition, Boomalli Aboriginal Artists Co-operative,
Sydney
Urban Focus: Aboriginal & Torres Strait Islander Art from the Urban Areas
of Australia National Gallery of Australia
True Colours: Bluecoat Gallery, Liverpool; Leicester Gallery, South London Gallery
Perpetual Motion Tandanya National Aboriginal Cultural Institute, Adelaide +
national tour
Conference Call with Adrian Piper Camerawork Gallery, London Britain
1993 Wiyana/Perisferia (Periphery) satellite of 9th Biennale
of Sydney, The Performance
Space, Sydney
Continuity: /ANCAAA/Desart/Boomalli Boomalli Aboriginal Artists
Co-operative
and The Performance Space, Sydney
Dream Time Budapest Autumn Festival, Hungary
1992-3 Conference Call with Adrian Piper(USA) for The
Boundary
Rider: 9th Biennale
of Sydney Art Gallery of NSW
1991 Kudjeris (Lisa Bellear, Brenda L Croft and Destiny
Deacon)Boomalli Aboriginal
Artists Co-operative, Sydney
Boomalli Annual Members Exhibition Boomalli Aboriginal Artists Co-operative,
Sydney
1989 Boomalli Breaking Boundaries Annual Members Exhibition,
Boomalli Aboriginal
Artists Co-operative, Sydney
A Koori Perspective satellite exhibition of Australian Perspecta
1989, Artspace
40,000 + 4 Bondi Pavilion, Sydney
Eurobla The Tin Sheds Gallery, University of Sydney, Sydney
1988-9 Inside Black Australia national and international
tour,
curated by Kevin
Gilbert for Treaty ’88 Campaign
1988 De Facto Apartheid The Performance Space, Sydney
ANCAAA-Boomalli Boomalli Aboriginal Artists Co-operative, Sydney
1987 Boomalli Au-go-go Inaugural exhibition, Boomalli Aboriginal
Artists Co-operative,
Sydney
1986 Contemporary Aboriginal and Islander Photography NAIDOC
Week, Aboriginal
Artists Gallery, Sydney
Women’s War and Peace Exhibition Pier4/5, Millers Point, Sydney
Selected Collections
National Gallery of Australia
Art Gallery of New South Wales
Art Gallery of Western Australia
National Gallery of Victoria
Queensland Art Gallery
Museum and Art Gallery of the Northern Territory
John Curtin Gallery, Curtin University of Technology
Edith Cowan University, Perth
Flinders Museum Gallery, Flinders University
State Library of New South Wales
Artbank
Power Institute
Selected Employment
2002 - National Gallery of Australia, Canberra.
Senior Curator, Aboriginal and Torres Strait Islander Art
1999 -2001 Art Gallery of Western Australia. Curator, Indigenous
Art
1998 -2000 Beyond the Pale Adelaide Biennial of Australian Art,
Adelaide Festival 2000. Guest Curator
1998-9 Australian Network for Art & Technology, National Indigenous
School in New Media Art, Northern Territory University, Darwin.
Project Manager
1998 Canberra School of Art/Australian National University – ‘Aboriginal
Visual Culture/Contemporary Indigenous Art’. Lecturer, Art
Theory Workshop,
Djamu Gallery/Customs House Gallery, Australian Museum Sydney. Curatorial consultant.
1996-9 Freelance artist, curator, writer, lecturer
1996-8 fluent Australian Pavilion 47th Venice Biennale, & Australian tour.
Co-curator
1990-6 Boomalli Aboriginal Artists Co-operative. General Manager, formerly Co-ordinator
1994 Aboriginality in Art Artists Week Adelaide Festival 1994. Co-curated with
Hetti Perkins
1992 Working tour of France, Britain
1990 Aboriginal Women's Exhibition Art Gallery NSW. Devised exhibition concept
1989 Kudurru Aboriginal Resource Agency, Darwin. Researcher/Consultant
Blackout Aboriginal Programs Unit, ABC TV. Media/Publicity Officer for public
launch
First in Line Aboriginal Programs Unit, SBS TV. Researcher/Journalist
2nd National Black Playwrights Conference, Sydney. Assistant Video Documenter
1988 5th Festival of Pacific Arts, Townsville. Official Stills Photographer
1987 Aboriginal Development Division, Department of Social Security, Darwin.
Consultant
1986 - Practising Artist
1982-4 Department of Social Security. Aboriginal Services Clerk
1982 Australian Taxation Office, Canberra. Public Servant
Commercial Banking Corporation (CBC Bank), Canberra. Trainee clerk
Selected Professional Activities, including voluntary
2004 Australian Institute of Aboriginal and Torres Strait Islander Studies Research
Advisory Committee Member (Arts)
Arts ACT Visual Arts 2005 Peer Assessment Committee
Ngunnawal Public Art Project, Chief Minister’s Office, ACT
Port Hedland Art Award, Western Australia, Judge
Aboriginal and Torres Strait Islander Arts Board Member, Australia Council
2000-2 National Moving Cultural Heritage Committee, Environment Australia (formerly
Department for Communication, Information Technology and the Arts), Committee
Member
2000-2 4th National Aboriginal and Torres Strait Islander Visual Arts Conference.
Steering Committee member
2000 National Visual Artists Committee, Telstra Adelaide Festival 2002. Member
1999- 2000 Australian Network for Art and Technology Board Member
1998 Oceans and Others symposium on Pacific Art for Pacific
Wave Festival at
the Museum of Sydney. Chairperson
1996 Aboriginal & Torres Strait Islander Board, Australia Council. Member
Asialink-Japan Australian Arts Adminstrators research trip to Japan. Indigenous
organisation representative
1995-9 Ngalawi Aboriginal Housing Co-operative, Sydney. Secretary and member
1995-6 ATSI Arts Advisory Committee, Cultural Olympiad, SOCOG. Member
Tulagulla Limited Executive Committee. Chairperson
1994-5 Gadigal Information Services/Koori Radio, Sydney. Board member. Broadcaster,
voluntary
1993-5 National Museum of Australia. ATSIAC Member
1993-4 Regional Galleries Association of New South Wales. Indigenous Committee
Member
1992 Art Museums of Australia Consultant
1987 Boomalli Aboriginal Artists Co-operative. Founding Member
1986-90 Radio Redfern/Radio Skid Row, 88.9 FM, Sydney. Journalist/broadcaster,
voluntary
Selected Lectures/Talks/Interviews
2004 Interview with Lorena Allam on Witness Awaye! Radio National,
ABC Radio 15 April
2003 Namatjira’s gift for Seeing the centre: the art of Albert Namatjira
1902 – 1959 Queensland Art Gallery, 1 October
Through the looking glass at The Looking and other outcomes Derek Kreckler at
Anna Schwarz Gallery, Melbourne 20 September
Keynote presentation Pacific Arts Association Conference, Christchurch New Zealand
21 June
Building the collection ABC Canberra Regional Radio, Morning show 3 July
Building the collection, National Gallery of Australia, 1 & 5 July
NAIDOC Week Program, ABC Western Queensland 7 July
NAIDOC Week Program, Koori Radio, Gadigal Information Services Sydney 7 July
NAIDOC Week Program, ABC Cairns Regional Radio 7 July
2002 Monday Morning Profile ABC Canberra Radio 666
Night Club Radio National, ‘Seeing the centre: the art of Albert Namatjira’ National
Gallery of Australia touring exhibition
Awaye! Radio National, ‘Seeing the centre: the art of Albert Namatjira’ National
Gallery of Australia touring exhibition
Islands in the sun National Gallery of Australia touring exhibition, interview
with Asia Pacific Television, Melbourne
‘4TH NATSIVAC and Albert Namatjira’ ABC Radio National, morning program
with Vivien Schenke, 6 March, Adelaide studio, with Hetti Perkins
2001 ‘Art and the City: A Forum on Art in the Public Domain’ Telstra
Adelaide Festival 2002 program and ArtsSA, October 2001
‘I feel good in my body when I’m doing these paintings’ Genius
of Place: the work of Kathleen Petyarre Museum of Contemporary Art, Sydney
Contemporary Indigenous Art, Museum of Contemporary Art, Sydney
2000- Art Gallery of Western Australia. Contemporary Indigenous Art, ongoing
lectures to students and guides
2000 Occasional Address, Art Theory Workshop, Canberra School of Art, Australian
National University
Occasional Address, Graduation ceremony for Division of Education, Arts and Social
Sciences, University of South Australia
Debating the City2 Museum of Sydney
Beyond the Pale: Adelaide Biennial of Australian Art, Various associated talks
and lectures
1999 ‘No place like home’ Australian art in
context Third Asia Pacific
Triennial Conference, Brisbane. Panel member
MAAP 99 Third Asia Pacific Triennial Conference, Brisbane. Panel member
Dissident Art and International Art Markets
Straddling the Pacific Rim: Politics of Representation on the Move
University of California Irvine, Department of Studio Art Colloquium/College
Art Association Conference, USA. Panel member
Straddling the Pacific Rim: Politics of Representation on the Move University
of California, Irvine. Dept of Studio Art Colloquium. Panel member
1998 Innovations and Challenges ACUADS (Australian Council of University Art
and Design Schools) Seminar on Art Administration, UNSW College of Fine Arts
Sydney
fluent national tour, ‘Not Another Koori Show’ 3CR Melbourne
fluent national tour, Southeast Tasmanian Aboriginal Corporation Radio program
The Presence of the Past in Contemporary Indigenous Art Practice National Trust/SH
Ervin Gallery Sydney
Postcolonialism Critical Theories of Photography, Art Theory and History, UNSW
College of Fine Arts, Sydney
‘Consider yourself at home, Consider Yourself part of the family’ Living
Here Now Australia Perspecta 1999 Development Forum, Art Gallery of New South
Wales
Artist lecture, In My Father’s House at the Australian Centre for Photography
Sydney
In my Father’s house, in my Mother’s garden in ‘Contemporary
Art and Cultural Trauma’ for Trauma and Memory: Cross Cultural PerspectivesCollege of Fine Arts, University of New South Wales
Contemporary Aboriginal Art University of Sydney
Forum in conjunction with Lisa Reihana and Binghui Huangfu, John Curtin Gallery,
Curtin University of Technology, Western Australia
Aboriginal Studies, & Visual Arts Department, Western Australian Academy
of Performing Arts, Edith Cowan University, WA
Emily Kame Kngwarreye in Venice for Placing Emily? forum in conjunction with
Emily Kame Kngwarreye Alhalkere - Paintings from Utopia, Queensland Art Gallery
fluent lectures for Aboriginal Art of Australia course, Sydney Continuing Education,
University of Sydney, at Art Gallery of New South Wales, and Australian tour
1997 'Awaye' Radio National, on fluent national tour
Royal College of Art, London, Photography and Art Theory Students
Canberra School of Art/Australian National University, Dept of Art Theory, Canberra
Artist & fluent co-curator, slide presentation and lecture Art in General,
New York
Blak Girl Why(te) Girl: In Your Dreams Department for Media & Cultural Studies,
New York University
Greene Street Studio lectures for visiting artists, curators and artsworkers
Contemporary Indigenous art practice course, Cooper Union University, New York
Asian-American studies, New York University
1996 Department of Painting and Drawing, School of the Art Institute, Chicago
First Nations Forum Chicago Cultural Centre, Chicago
Blak Girl Why(te) Girl: In Your Dreams Jon Monogios Lecture Series, RMIT Union
Arts Department, Melbourne
Quay Works: Sydney Festival 96 'Awaye' Radio National
State of the Arts...as we approach the Millennium, with Julie Ewington, ABC Radio
1995 Dangerous Relations: Mistaken Identities Johannesburg Technikon, South Africa
Contemporary Indigenous Art Spaces Bachelor of Art Theory, College of Fine Arts,
University of NSW
1994 Dangerous Relations Artists Week, Adelaide Festival 1994; Perth Institute
of Contemporary Art
1993 Navigations: 4th National Photography Conference Bristol, Britain
Collaboration with Adrian Piper 9th Biennale of Sydney Symposium, AGSNW
Lateline 'Outsider Art' with Phillip Adams, Radio National
1992 Universite D'Avignon et Pays de Vaucluse, Avignon, France
Transgressing the Boundaries 9th Biennale of Sydney, College of Fine Arts
1992-5 College of Fine Arts, UNSW. Post-graduate Art Theory Course. Guest Lecturer
University of Sydney, Department of Fine Arts. Guest Lecturer
1991 Aboriginal Art in New South Wales Lecture Series, AGNSW
Selected Artist/Curatorial Publications/Launches
2004 Fortescue, Elizabeth Images
that help in the healing The Daily Telegraph
March 15 p 47
Witness: Darren Almond, Brenda L Croft, Zhang Huan, Whitfield Lovell,
Walid Ra’ad/The Atlas Group, Fiona Tan Indepth Art News
http://www.absolutearts.com/artsnews/2004/03/12/31873.html
2003 Tactility: two centuries of Indigenous objects, textiles
and fibre exhibition
catalogue (National Gallery of Australia)
Richard Bells wins 2003 Telstra National Aboriginal and Torres Strait Islander
Art Award Artonview Issue No. 36 Summer 2003-2004 pp 40 - 41
Through the looking glass: Derek Kreckler Photofile: Suburbia Issue # 69
Picture this for exhibition catalogue New View: Indigenous Photographic
Perspectives Monash Gallery of Art, Waverley, Melbourne Victoria
South West Central: Indigenous art from south Western Australia 1833 – 2002 Art
Gallery of Western Australia
2002 Beyond Capricornia: I am not sorry Art Monthly October, Number 154 issue
pp 5 - 9
No need looking Photofile: Traces Issue # 66 pp 24 - 9
Mellor, D & Haebich, A (eds.) Many voices: reflections on experiences
of
Indigenous child separation Canberra: National Library of Australia p 176 (photographic
reproduction)
Ebb and flow High Tide: Contemporary Indigenous Photography exhibition catalogue,
Linden St Kilda Centre for Contemporary Art
Dancing barefoot Sublime exhibition catalogue, Perth: Wesfarmers Limited, at
the Art Gallery of Western Australia pp 25 - 9
Debating the city - cultural signposts: whose heritage? Voices from Cadigal Country:
Indigenous writings on Sydney
2001 Indigenous Art: Art Gallery of Western Australia (Perth: Art Gallery of
Western Australia)
Artbank: Sharing a cultural trust fund on loan Artbank publication (Sydney)
Debating the city collected essays, published by the Museum of Sydney/University
of Western Sydney (Nepean)
Safe as houses Mia Mia: Valerie Takao Bynder Perth International Arts Festival
2001
Aboriginal art on the fringe exhibition review, Object magazine, Sydney
2000 Garden of Plenty for Bush Fruits exhibition catalogue, Anyinginyi Aboriginal
Congress, Northern Territory
Never mind the gap, mind the bollocks Art Monthly Australia Issue No. 129 May
pp 19 - 20
Beyond the Pale: Adelaide Biennial of Australian Art exhibition catalogue (Adelaide:
Art Gallery of South Australia)
Labelled - buyer be aware Artlink: Reconciliation? Indigenous art
for the 21st
century Vol 20 No. 1 pp 84-5
A change is gonna come Periphery Special Issue no 40 – 41
1999 Boomalli Aboriginal Artists Co-operative: From Little
Things, Big Things
Grow essay for Painting the Land Story (Canberra: National Museum of Australia)
My Boomerang Won’t Come Back Periphery Issue no. 38. Autumn 1999
You must remember this Motif and Meaning exhibition catalogue,
Ballarat Fine
Art Gallery, Victoria
1998 Taste of the Unexpected Periphery Issue no. 37. Summer 1998
To the Native, Born(e) Periphery Issue no. 36 Spring 1998
In My Father’s House exhibition catalogue Australian Centre for Photography
Sydney
Searching for the Eye of the Storm Periphery Issue No. 35, Winter 1998, p 3
Where ancient waterways and dreams intertwine Periphery Issue No. 34, Autumn
1998, p 9
1997 Laying Ghosts To Rest Portraits of Oceania catalogue essay, Art Gallery
of NSW
1996 but now through our dreams, we are sharing the past,
the present, the future introduction Wiradjuri Spirit Man: HJ Wedge monograph
by Fine Arts Press & Boomalli,
Sydney
1995 Truths, myths and little white lies True
Colours catalogue essay reproduced
in Invasion and Resistance: untold stories A teachers' handbook, Board of Studies
NSW pp 6-20
1994 Truths, myths and little white lies catalogue essay by Hetti Perkins & Brenda
L Croft True Colours: Aboriginal & Torres Strait Islander artists raise the
flag Boomalli Aboriginal Artists Co-operative in conjunction with Eddie Chambers
for INIVA Britain pp 3-17
From Little Things Big Things Grow: Indigenous artistic, political and cultural
development in the New South Wales region of Australia from 1984-94. Research
paper for Master of Art Administration, College of Fine Arts, University of NSW
1993 Blak Lik Mi Art & Australia Vol 31 No 1 Spring pp 63-7
1992 A Very Brief Bit of an Overview of the Aboriginal Arts/Cultural
Industry Aboriginal Art in the Public Eye an Art Monthly Supplement Summer
Issue 1992/93
1990 Boomalli Artlink Special Double Issue Vol 10 Nos 1 & 2 Autumn/ Winter
p 108
The Next Generation; Major works by HSC students Boomalli Aboriginal Artists
Co-operative, Sydney
Boomalli Artlink Special Double Issue Vol 10 Nos 1 & 2 Autumn/ Winter p 108
..from the centre to the sea: works from Nyirripi community Boomalli Aboriginal
Artists Co-operative
On the line: new members at Boomalli Boomalli Aboriginal Artists Co-operative
Selected Artist/Curator Bibliography
2004 What about the dots and circles
- the children need them? Banff Centre for
the Arts, Canada
Scary Creatures Criticism+Engagement+Thought ‘On reason and emotion: 2004
Biennale of Sydney pp 37 - 41
Witness: Darren Almond, Brenda L. Croft, Zhang Huan, Whitfield Lovell, Walid
Ra’ad/The Atlas Group, Fiona Tan
http://www.absolutearts.com/artsnews/2004/03/12/31873.html
Fortescue, Elizabeth ‘Images that help in the healing’ The Daily
Telegraph Monday March 15, p 47
Sullivan, Eve Man about town exhibition review Eyeline Issue No 53, p 54-5
2003 I am not sorry: Beyond Capricornia Noonjook: a journal of Australian Indigenous
issues, No. 24 Dec 2003, Batchelor College, Northern Territory, pp 13 - 24
Perkins, Hetti ‘When the ordinary becomes the everyday’ Look:
Art
Gallery Society of NSW. 50: 1953 – 2003 Celebrating 50 Years Issue 50 pp
51-2
McLean, Ian ‘New histories of Australian art: South West Central: Indigenous
Art from south Western Australia 1833-2002 Art Monthly Number 158 April pp 18-21
Snell, Ted ‘Celebration of survival’ The Weekend Australian February
15-16 p Arts R21
2002 Mendelssohn, Joanna ‘Making Histories of Australian Art reviews’ Australian
and New Zealand Journal of Art: Globalization Vol 3, Number 2 pp 120-131
Photographica Australis exh. Cat. ARCO Madrid, Spain, curated by Alisdair Foster
for the Australian Centre for Photography, Sydney
Mordue, Mark, Road Dreaming: Romancing the road Arts Review’ The
Weekend
Australian November 16 - 17
Verghis, Sharon Indigenous art stereotypes a bark up the wrong tree The Sydney
Morning Herald p 12
Laurie, Victoria, Black and white ‘Arts Review’ The Weekend
AustralianOctober 19 – 20 pp 14 - 15
Snell, Ted, Exalted harvest ‘Arts Review’ The Weekend
AustralianOctober 19 – 20 p 21
2001 8TH Festival of Pacific Arts ICAM Series 10 – Episode 1, SBS-TV 25
Jan
2000 17th Telstra National Aboriginal and Torres Strait
Islander Art Award The
Arts Show ABC TV 5 Oct
Michael, Linda in Das Lied Von Der Erde (The Song of the Earth) exh. Cat.Museum
Fridericianum, Kassel, Germany
Thomas, Nicholas, ‘Utopia is a certain place’ Transitions: 17
years
of the National Aboriginal and Torres Strait Islander Art Award (Darwin: Museum
and Art Gallery of the Northern Territory 2000 pp 51-7)
1999 Nunn, Louise ‘Festival focus on ancient culture’ The Advertiser Wednesday
May 5 1999, p 3
Perkins, Hetti ‘Right Beside You: Brenda L Croft’ in Kerr, Joan & Holder,
Jo past PRESENT: The National Women’s Art Anthology (Sydney: Craftsman
House pp 110-114)
‘Curator draws attention to bias’ Scene Guardian Express May 18 – 24
1999, p 12
Morphy, Howard Aboriginal Art (London: Phaidon Press)
James, Bruce ‘Festival’s King Hit’, The Sydney Morning Herald Saturday
March 11, pp 12S
Fitzgerald, Michael ‘Renewing the Country’ Time April 3, 2000, p
67
McQueen, Humphrey ‘Art can reveal but never resolve’ Art Monthly
Australia pp 5 - 7
Kean, John ‘Political theatre in Beyond the Pale Artlink Vol 20 No. 1 pp
68-9
Nicholls, Christine ‘Indigenous Australian art and the stolen generation’ Artlink Vol
20. No 1 pp36 - 39
Mendelssohn, Joanna ‘A Sorry Story’, The Bulletin March 21, pp 92-3
Lloyd, Paul ‘Contemporary Challenge’ Adelaide Advertiser Saturday
26 February, p 42
Arena magazine: Living Indigenous Nations No. 45 February – March 2000,
front cover artwork
Tan, Lisa Marie The Arts Magazine Singapore, January
Billington, Michael ‘Feast for the Eyes’ The Guardian Wednesday March
8
1999 Mendelssohn, Joanna ‘Holistic View’ Arts, The Bulletin March
16 1999 pp 68 - 70
1998 Webb, Penny ‘Reading between the lines’ Visual Arts, EG The
Age Friday 20 November 1998 p 16
Stone, Deborah ‘The gardens of life’ Living • Arts & Entertainment
The Age Monday 23 November 1998 p 20
Gellatly, Kelly ‘Photography and Family’ Art Monthly September 1998
Number 113 pp 20-21
Indigenous Law Bulletin Indigenous Law Centre, University of NSW, front cover
artwork
Art Almanac 1 – 14 July, front cover artwork
Aboud, Paula ‘Landscapes of Loss and Memory’ Periphery Issue No.
36 Spring 1998 pp 17-20
1997 Carver, Antonia 'It's about time', make women's art magazine, Britain, No.
76 June-July 1997, pp13-14
Storer, Russell, 'A fluent career', Visual Arts Section, Tharunka, Vol 43, Issue
7, June 3 1997, p 30
1996 Dewdney, Andrew 'Deliberate Acts of Cultural Translation' Third
Text: Third
World Perspectives of Contemporary Art & Culture Vol 35, Summer 1996, pp92-5.
Published by Kala Press, printed by Whitstable Litho, Kent, Britain
Goodall, Phillipa Abstracts: New Aboriginalities exhibition catalogue for South
West Aboriginal Print Project (SWAPP), Britain
Perkins, Hetti 'Strange Fruit: The Photographic Art of Brenda L Croft' Art & Asia
Pacific Vol. 3 No. 1 pp 90-3
1995 Holder, Jo 'True Colours' review Art & Asia Pacific Vol 2 No. 2 pp 115-6
Bond, Anthony 'Mistaken Identities' Africus: Johannesburg Biennale '95 exh cat.
1994 Masterson, Piers, 'Reviews Adrian Piper and Brenda Croft at Camerwork' Art
Monthly Britain July-August pp 32-3
Michael, Linda 'Sydney Photographed' Sydney Photographed exh cat., MCA
Johnson, Darlene Strange Fruit exh rev Agenda: Australian Contemporary
Art Iss
No 38
1993 Dewdney, Andrew & Phillips, Sandra (ed.) ‘Brenda Croft: Controlling
our own images’, Racism, Representation & Photography Sydney: Inner
City Education Centre pp 117 - 126
Bellear, Lisa The Big Deal is Black Photofile 100% Mabo No 40 Nov pp 19-22
Mendelssohn, Joanna Urban Dreamtime The Arts The Bulletin 9 November
Caruana, Wally Aboriginal Art World of Art Thames & Hudson pp 166 187-8
1992 Mendelssohn, Joanna Collusion Course The Arts The
Bulletin 22 December pp
78
Selected Residencies/Awards/Commissions & Grants
2001 - 2 Adelaide Airport International
Airport initial concept design
Alumni Award University of NSW, Sydney
Gordon Darling Global Travel Grant, through the Art Gallery of Western Australia.
Travelled to Aotearoa/New Zealand, Canada, the USA and Britain
2000 Wuganmagulya (Farm Cove) at Royal Botanic Gardens for Sydney Sculpture Walk
and City of Sydney
Sydney International Airport Public Art Commission
1998 New Work, Visual Arts/Crafts Fund, Australia Council
Indigenous Arts Fellowship, NSW Ministry for the Arts
Western Australian Academy of Performing Arts/Edith Cowan University (Perth),
Australia Council Partnership
1996-7 Greene Street Studio New York USA .Visual Arts/Craft Fund Australia Council
1996 Chicago Artists International Program, Ethnic Communities Exchange Program
USA
1994 Strange Fruit (selection) for Yiribana Gallery, Art Gallery of New South
Wales
1993 Banff Centre for the Arts Alberta Canada NOMAD Studio
New work, Visual Arts/Crafts Fund, Australia Council.
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